for
your listening pleasure:
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The
Star-Spangled Banner
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Originally
composed in commemoration of Jimi Hendrix' performance as the
last act at Woodstock '69, and released on the 30th anniversary
of same, this piece has become one of the more popular on this
and other sites. In light of the recent events challenging
America and its resolve (at least!), I put this up here, and
present it to you thusly: While this rendition of the National
Anthem inspired in part by John Cage may be a bit
different-sounding than the song you would otherwise be familiar
with, does this not reflect the way America is? While it
is certainly not the same as the original Francis Scott Key
arrangement, the notes are the same. America
endures nonetheless.
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I've converted the above to the
major formats, so that you may enjoy them without having to subject
yourself to the hidden cookies, pop-up adverts, and God-knows-what-else
that Real/AOL has up their sleeve for us. Even Sony plays Windows
Media format now, which has a much higher quality than Real formats
anyway.
Sites
kind enough to play my music are found below:

Other
Current Projects:
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Songs for
Commuting
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This is
a collection of pieces inspired by places around London and other places
like LA that concern themselves with public and other transit.
Titles include Buses On Diversion,
Mind the Gap, Roundabout, Tea Break, and Way Out and might give the impression that these
are primarily British-inspired. Assumption is of course dangerous.
Progress is beginning to bear fruit on this collection, and the first
versions of "Tabla Tale" may find their way here soon.
Like, "before 2007." Okay, perhaps later. Bloody
workmen! (note in 2008: "Well, we're done and I'm going to do more
on this web site at last.")
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Songs
from a Tunnel
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This
is a set of pieces originating from years of playing ambient acoustic
bowed guitar in the San Gabriel Canyon's unfinished Tunnels, which you
may have read about on this site for several years! Originally in this
collection are "For Absent Friends", Dragon on Glass Lake,
Fever Dream, and other classics. While I'm doing everything but
getting the CD done, like moving in with my Mum-in-Law, In the meantime the industrious may find the
individual songs at the MP3Station, IUMA, and many other sites!
All of my music is on sites that actually have an
intention to pay the artists who produce the work they broadcast now. If
you want to know more about my opinions on the music biz, go here.
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'S' |
Rescheduled
release, now reshuffled. Back-shelved in the interest of other
works, but as a result there are several volumes of this material, to be
subtitled '2', '3' and so on..
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Club Meditation |
This
is a collection of 15 pieces designed to be used in meditative
activity. In this
I have tried especially to create pieces with no rough edges, and
hopefully creating sonic pockets of peace in which you may find same.
The only criticism I've ever had about this collection is that the
pieces aren't long enough for one listener, who has prompted me to do
another version of Club Meditation that will eventually find its way onto
a DVD Audio release due to the sheer size of 15 or so 20-minute
compositions.
OuterEye,
a streaming video company, chose Club Meditation XIV to be the
backing music for footage at trade shows and on their
web site. We've not heard from those folks in a while, and
the web site is down. Next?)
The Loop Of The Week #254: 8 November 2006
As
anyone who has ever done renovations on an old house in England will
tell you, "It's valuable experience, but I never want to do it
again!"
Alas.
Despite all the experience we thought we could stomach about
builders and other workmen in the UK, we had not planned on a nasty
species here - the con artist we'll call "J" (British libel
laws tend to protect the guilty against having the truth told about
them, despite what one may believe from the tabloids here). It's
been nearly a year since my mother-in-law died, and during that very
difficult time we were effectively persuaded that "J" and his
men were more than just very good at their work. Turns out that
even the "visit my last client" showing was a complete sham:
While claiming to be of project manager-scale expertise, and having a
superb talent at woodworking, not only was "J" incompetent as
a woodworker - but the only reason the job looked so good was that he
and his men were supervised by an architect. "J"
and his men did just enough of a good job to persuade us to let them do
the rest of the renovations on this old house - and we had confidence
enough in them to go on our first vacation in nearly six years.
Upon returning in March we found MDF (a thicker variant of what folks in
the US may remember as "Masonite", but illegal for proper
construction in the US) being used instead of plaster board; broken
possessions; damaged floorboards, radiator pipes with screws through
them, and, as something I've come to recognize as the hallmark of
the incompetent, too many screws to hold things together.
"J" and his loafing bastards nearly burnt down the house by
throwing lit cigarettes onto piles of underfloor sawdust and
shavings. We've had touch with another victim of "J" who
was much worse off than us, though, and had to spend seven weeks during
last Christmas in a hotel because "J" not only caused a lot of
water damage (screws through the radiator pipes, hmm!) but
disconnected most of the power cables including those to the alarm
system. "J" also made copies of their home keys, and
after the poor woman kicked them off the site, she was sitting at her PC
one night to hear the door open, shortly before feeling "J"'s
hands round her neck, growling at her to "give me my f*cking
money". While she called the police, the coppers here are
useless. My only satisfaction is that we kicked "J"
off-site before more damage could be done.
Unfortunately
in May I crushed the end of my left middle finger between some
flagstones that "J" and his men left onsite, and it's been
only now that I can get some feeling back into the tip sufficient to be
able to play guitar. Thus my absence of updates. Why does
one have to be an expert in order to hire one here? I won't
answer that yet.
Since
May we've been having just individuals here to do work: good if spotty
showing-up on the part of the cornice guy (probably maintaining some
illusion on his part about workers being in control or
something), and a string of electricians, plumbers and general builders
who've given me lots of practice firing people. My blood
pressure's still reasonable though! But there's a place in the
front cellar for he who wants to try it on here. There are only
two major rooms left and I want them done by Christmas. At this
time of course the socialist cornice guy decides to keep control by just
not showing up. I'm torn between firing him and/or the
carpenter who just put a hole through a 150-year-old banister.
Very soon...
Hallowe'en
on the upside was a good one, with lots of little ghosts and
frighteningly-cute witches showing up at the door (Sarah told me "I
saw those three coming!"). Where were these girls when
I was 14? Jeepers! Here comes Thanksgiving, a holiday
they of course pretend not to recognize in the UK, and one I'm kicking
everyone out for, thank you very much. Sigh. There's peace
in music.
And
of course
for the fine print:
Know
that downloading any of the forms of the Loop Of The Week is a
clear indication of acceptance that you never represent this work as anyone
else's under US Copyright Law and the copyright laws of the rest of the
world; and that you
never use this work in public performance or composition without my permission.
In addition the files made available below have been pre-scanned for
your protection to assure their safety in use, and therefore free from
spyware, adware, malware, trojans, and any other current violations of
decency.
The
RIAA and Big Five's efforts to keep independent musicians from being
able to produce their own work continues, despite multiple failures on
their part to manipulate copyright law and royalties rulings.
Diligence will win this fight, and also assure that a bunch of elderly
cigar-chomping dinosaurs will someday stop trying to shove
creatively-bankrupt acts at the public. Think of the advantages of
creative freedom. If you're frightened about them, you're either
misinformed or realize you're one of the dinosaurs I'm talking about.
Want
to know more? Check out the Copyright Office's page about what
this all means to all of us at http://www.copyright.gov
- from there you can make your voice heard! Tell them you don't
like democracy bought and paid for by anyone!
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Stephen P. Goodman/EarthLight Productions,
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